Friday, 28 September 2012

Fascinating!


I have just returned to the Namibian desert.



What if through interspecies collaboration we could explore our shared imagination? We are accustomed to seeing stories through the eyes of human beings. That is why, in many of these images, the human eyes continue to be closed and the animals’ eyes are open. It is the animals that gaze out at the world and tell us their stories.
Gregory Colbert

Thursday, 27 September 2012

David Maisel: Library of Dust





New York City based artist David Maisel brings our attention to ethics and aesthetics in a most sublime way. His most recent project titled Library of Dust is a series of photographs of unclaimed and forgotten copper canisters containing the cremated remains of patients from a state-run psychiatric hospital. The science behind these eery though beautifully aged canisters lies in the copper, as it goes through chemical transformation due to prolonged contact with it’s contents. The outcome is striking enough, but it’s possible that the pull between matter and spirit is what makes this series so fervent. What we’re dealing with here is a conflict of sorts. We have these colorful, blooming canisters almost calling for our visual attention; however, time was ever necessary in the process of this chemical transformation, some urns having sat unclaimed by family since 1883. Thus to the surface also rises themes of neglect, remiss, and more impatiently, our own mortality. Maisel comments on the library in which these are canisters are numbered from 01 to 5,118: “Imagine the many separate fates that led these thousands of individuals to this room. What combination of choice and chance, of illness, of representation and misrepresentation, an infinite number of slippages multiplied more than three thousand times over, circumscribes this room, this library.” The artist also poses the question: is it possible that some form of spirit lives on?

Erté (Romain de Tirtoff 1892-1990) (by Ludiko)


Grenadier Art Show, September 22, 2012

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Tuesday, 25 September 2012


'The Hummingbird', 16x20" acrylic on canvas board

Framed Painting/Art Cards

Friday, 14 September 2012

New paintings by David Tomlin


'Susan's Magnolia', 8x10" acrylic on canvas 

Framed Painting/Art Cards


'Islington United Church', 14x18" oil on canvas

Framed Painting/Art Cards


'Life is Fragile and Beautiful-Monarch Butterfly', 8x10" acrylic  on canvas board

Framed Painting/Art Cards


'Life is Fragile and Beautiful-Frittilary Butterfly', 8x10" acrylic on canvas board

Framed Painting/Art Cards

Monday, 10 September 2012

Suzanne Opton, Soldier/Many Wars (Decode, 2011)






Opton asks soldiers returning from war to pose with their head lying sideways, and in that simple gesture, much is revealed. “We are inured to pictures of war,” she says. “I’d see these young guys with all this gear representing the United States, and you really have no idea who they are,” Opton says. “I wanted to strip all that away and look at them like I would look at my own son.”

Thursday, 6 September 2012

Paul McGuire





”My work uses a digital process whose algorithm is similar to the same ones that govern natural phenomena, so my images evoke many natural patterns: smoke, fire, water, land. These natural forms often resonate with the viewer’s own life experience, and people usually connect with a particular image over others, in their own unique way. Some pieces are truly random generations, which I modify by adjusting the internal color and shape transforms; others are seeded from photographs to introduce patterns or a target color palette. Finally, I produce the images on canvas, tile, or glass in extremely high resolution, which provides new levels of discovery to the viewer, even over time.”

Tuesday, 28 August 2012

Jean-Paul Riopelle, Pavane, 1954


From the National Gallery of Canada: Jean Paul Riopelle was one of the most ambitious artists of the group “Les Automatistes”. The artist applied paint directly to the surface of the canvas using a palette knife, blending each mark in a free, abstract and automatic gesture. Space is created by the relationships of colours as they intersect or lay in close proximity to each other. This creates an animated surface, with some colours receding and some dancing forward. This monumental triptych was first exhibited in Canada in 1963 as part of the artist’s retrospective at the National Gallery of Canada, and its title refers to a Spanish dance that originated in the 16th century. The dance incorporates a stately and processional rhythm, which is captured in the energy and movement of this painting.

Jean-Paul Riopelle, Untitled, 1953


From the National Gallery of Canada: Inspired by his admiration for Claude Monet’s waterlily paintings, Riopelle, by spray painting the colours, captures the water’s properties of transparency and infinite depth as well as its shimmering surface. India ink, applied in daubs and dripping lines, replicates the effect of the waterlilies which float on the surface and whose tendrils penetrate the liquid colour. This drawing is an important new direction in the artist’s work which will lead him to his masterworks such as “Pavane” 1954.

Monday, 27 August 2012

Animals in the Womb




They may grow to be very different beasts, but these breathtaking images reveal how surprisingly similar the beginning of life can be for the animal kingdom. Captured using revolutionary four-dimensional imaging technology and anatomically accurate models, scientists have managed to shed light on the world of mammals inside the womb. As diverse a bunch as they are - elephant, dog, dolphin and penguin are all shown united by their similar stages of development. Scientists captured the images for a National Geographic Documentary called ‘Animals in the Womb’. The images were also used on a Channel 4 documentary ‘Animals in the Womb’ which aired in 2009. They were created by using a combination of ultrasound scans, computer graphics and small cameras -as well as some carefully created models- to document the animals’ development from conception to birth, and give an unparalleled glimpse into a world that few of us would ever expect to see. [via dailymail.co.uk]

R.I.P Neil Armstrong


judy garland quote