Tuesday, 28 August 2012
Jean-Paul Riopelle, Pavane, 1954
From the National Gallery of Canada: Jean Paul Riopelle was one of the most ambitious artists of the group “Les Automatistes”. The artist applied paint directly to the surface of the canvas using a palette knife, blending each mark in a free, abstract and automatic gesture. Space is created by the relationships of colours as they intersect or lay in close proximity to each other. This creates an animated surface, with some colours receding and some dancing forward. This monumental triptych was first exhibited in Canada in 1963 as part of the artist’s retrospective at the National Gallery of Canada, and its title refers to a Spanish dance that originated in the 16th century. The dance incorporates a stately and processional rhythm, which is captured in the energy and movement of this painting.
Jean-Paul Riopelle, Untitled, 1953
From the National Gallery of Canada: Inspired by his admiration for Claude Monet’s waterlily paintings, Riopelle, by spray painting the colours, captures the water’s properties of transparency and infinite depth as well as its shimmering surface. India ink, applied in daubs and dripping lines, replicates the effect of the waterlilies which float on the surface and whose tendrils penetrate the liquid colour. This drawing is an important new direction in the artist’s work which will lead him to his masterworks such as “Pavane” 1954.
Monday, 27 August 2012
Animals in the Womb
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