Friday 30 March 2012


Talkers and doers

March 30, 2012

Greetings!

When I was a poverty stricken student at Art Center School in Los Angeles I was frequently called in to see Karla Martell, the registrar. Tardy payment of fees was one of the reasons for my summoning, but more than once she spoke of my failure as a student and as a human being. "Looking over the reports from your instructors," she said, "they are pretty well consistent in saying that you talk a good job and do a poor one."

Shocked as I was at the time, I decided on a vow of silence and to henceforth "understate and over-prove." Overnight I became the "Silent Sam" of the classroom. Karla's warning was an epiphany. I turned a new leaf.

More and more in later years I've come to realize that shutting up is not only cathartic, it's a positive technique for quality control and improvement. Folks who know me well often remark on my reluctance to talk about my own work and my habit of dragging on about the work of others. Here's why:

When you talk, you gradually lose your need to do. Each word is a brick removed from the wall of your desire. When you tell someone, you let the wolverine out of the oil drum and spoil the excitement of the final unveiling. Your creativity is like a dam where the floodgates must be opened only at your choosing. A crack will leak the power that lies within.

Silence focuses your eyes on your process. When you do not surround or precede your effort with your own verbiage, meaning and purpose are more likely to come out of the end of your brush. Literary considerations (the red barn and the golden sunset), the bane of visual workers, are kept in a holding cell until court can be held.

We all know of people who constantly talk about how they are going to do this and that. While it's upsetting to them, it's often worthwhile to let them know the reason they are not doing it is because they are talking about doing it. No matter how you encourage talkers to get on with it, it's been my observation that talkers generally keep on talking and are most highly realized when they are in groups, conferences, classrooms, lectures and social events. Doers generally have their workplace already set up, are naturally drawn to their tools, and are comfortable not saying much about what they're up to. Some of us have to learn that. 

Best regards,

Robert

PS: "Silence is a source of great strength." (Lao Tzu) "Drink at the source and speak no word." (Fyodor Ivanovich Tyutchev) "Learn silence. With the quiet serenity of a meditative mind, listen, absorb, transcribe, and transform." (Pythagoras) "A closed mouth gathers no foot." (Frank Tyger

Esoterica: The Zen-like trance of silent working precludes overly-optimistic planning and poor-me whining. Yes, you can pipe music into your head--but be yourself mute. "Remain quiet," saysParamanhansa Yogananda. "Don't feel you have to talk all the time. Go within and you will see the loveliness behind all beauty."


Current Clickback: "Look who's buying art now" looks at the changing profile of art buyers. Your comments will be appreciated.

Read this letter online and share your thoughts on talking about your work. Live comments are welcome. Direct, illustratable comments can be made at rgenn@saraphina.com

Back by popular demand! One great big fat FREE book!! Yep, a totally free copy of Robert's most celebrated book, The Twice-Weekly LETTERS--960 pages--mailed post-free anywhere in the world, simply by signing up for a Premium Listing before March 31, 2012. If you have work you think the world should see, please check us out. While our listings are mini-websites in themselves, we are particularly good at sending volumes of visitors to websites you may already have. Our service costs $100 per year and we do all the set up, including changing work, etc, as you see fit. If you are thinking about it, please feel free to drop Robert a note. He'll be happy to pass along an opinion as to your work's suitableness.

The Art Show Calendar: If you or your group has a show coming up, put an illustrated announcement on The Painter's Keys site. The longer it's up, the more people will see it. Your announcement will be shown until the last day of your show.

The Workshop Calendar: Here is a selection of workshops and seminars laid out in chronological order that will stimulate, teach, mentor, take you to foreign lands or just down the street. Many of these workshops are recommended by Robert and friends. Incidentally, if you are planning a workshop and have photos of happy people working, feel free to send them to us and we'll include a selection in the workshops feature at no extra charge.

The Painter's Post: Every day new material is going into this feature. Links to art info, ideas, inspiration and all kinds of creative fun can be found in this online arts aggregator.

If a friend is trying to subscribe to the Twice-Weekly Letter via Constant Contact, please let her or him know that confirmation is required and to reply to Constant Contact's confirmation email.

You can also follow Robert's valuable insights and see further feedback on Facebook and Twitter

Featured Responses: Alternative to the instant Live Comments, Featured Responses are illustrated and edited for content. If you would like to submit your own for possible inclusion, please do so. Just click 'reply' on this letter or write to rgenn@saraphina.com

Yes, please go ahead and forward this letter to a friend. This does not mean that they will automatically be subscribed to the Twice-Weekly Letter. They have to do it voluntarily and can find out about it by going to The Painter's Keys website.
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(c) Copyright 2012 Robert Genn. If you wish to copy this material to other publications or mail lists, please ask for permission by writingrgenn@saraphina.com. Thanks for your friendship. 

Thursday 29 March 2012

Referencing an iconic photograph of Nazi soldiers clearing out the Warsaw Ghetto taken by the Nazi photographer Franz Konrad in 1943, Nir Hod’s paintings at Paul Kasmin Gallery focus on the anonymous woman rather than the iconic boy. The “Boy from Warsaw,” as he is known, has been the primary focus of this horrific photograph and has become a symbol of the Holocaust. By focusing on the woman, Hod named “Mother,” Hod asks the viewer to consider her. Details here. Top: Nir Hod, Mother, 2011, oil on canvas. Bottom: Franz Konrad’s photograph of “Boy from Warsaw.


http://27.media.tumblr.com/tumblr_m1nj2ygyS61qz872lo1_500.jpg



Tuesday 27 March 2012


Look who's buying art now

March 27, 2012

Greetings!

Visiting last night with one of my really wealthy friends and wandering once more among his many art acquisitions, including a few I'd not seen before, I was once more catching the drift of his habits. He insisted on telling me how much he'd paid for this and that. They seemed big prices for big mediocrity from big names. That's only my opinion--apart from his bad art, he's got some of mine too, so I didn't say a word. He also told me he'd flipped a few, "even in this bad market."

My friend fits the profile of many collectors. They're in it for the game, the name and the fame. Investment is a factor. As well, many collected works are bequeathed to museums where a tax receipt gives year-end relief to the wealthy donor. For some reason, all of my collector friends who fit this profile are men.

Recent studies are showing a sea change in earning power and discretionary spending. In the USA, among couples where both partners work, 40% of the women now earn more than the men. The stats on university attendance are also telling. Sixty percent of students enrolled in higher education are now women. If present trends continue, in twenty-five years women will outnumber men in medicine and law. Physics, engineering and professorships will not be far behind. In studies of families where the male still maintained a higher income than his spouse, discretionary spending decisions are nearly equal. On the other hand, in families where the wife's income is higher, it's the female who makes most of the big decisions. The persistent scenario, frightening to some of the blokes, is that CEO mom goes shopping after work while dad is home feeding crackers to the kids and watching Barney.

And what particular art are these rich gals buying? In my observation, they're not so much interested in the game, name or fame. In the last few years I've not heard one single active female art buyer utter the word "investment." They're more interested in connection, shared experience, life enhancement, tailored quality, nest-and-nurture, soul-polishing, and yes, décor and colour-coordination. Funnily, while women do more measuring than men, big size is not so important. I would be really interested in what gallery owners have to say about this, but women seem often to be making art decisions based on lofty ideals, genuine emotions and high sensibilities. Is it that women have better values than men? More imagination? Better taste? More sense? Or is it just less testosterone?

Best regards,

Robert

PS: "Women are asking what privileges their own breadwinning buys." (Liza Mundy)

Esoterica: In what I call FABE (the Female Art Buying Explosion), women have less hesitancy in collecting women artists. This may be partly because female-run and female-owned galleries have risen dramatically. In the years I've been painting, the percentage of female artists in galleries has slowly crept up. A few galleries now represent more women than men. Considering female artists outnumber male artists 80/20, there is still a way to go.


Current Clickback: "Wet-into-wet" looks at the technique of painting into wet paint. Your comments will be appreciated.

Read this letter online and share what you know about who is buying the art. Live comments are welcome. Direct, illustratable comments can be made at rgenn@saraphina.com

Back by popular demand! One great big fat FREE book!! Yep, a totally free copy of Robert's most celebrated book, The Twice-Weekly LETTERS--960 pages--mailed post-free anywhere in the world, simply by signing up for a Premium Listing before March 31, 2012. If you have work you think the world should see, please check us out. While our listings are mini-websites in themselves, we are particularly good at sending volumes of visitors to websites you may already have. Our service costs $100 per year and we do all the set up, including changing work, etc, as you see fit. If you are thinking about it, please feel free to drop Robert a note. He'll be happy to pass along an opinion as to your work's suitableness.

The Art Show Calendar: If you or your group has a show coming up, put an illustrated announcement on The Painter's Keys site. The longer it's up, the more people will see it. Your announcement will be shown until the last day of your show.

The Workshop Calendar: Here is a selection of workshops and seminars laid out in chronological order that will stimulate, teach, mentor, take you to foreign lands or just down the street. Many of these workshops are recommended by Robert and friends. Incidentally, if you are planning a workshop and have photos of happy people working, feel free to send them to us and we'll include a selection in the workshops feature at no extra charge.

The Painter's Post: Every day new material is going into this feature. Links to art info, ideas, inspiration and all kinds of creative fun can be found in this online arts aggregator.

If a friend is trying to subscribe to the Twice-Weekly Letter via Constant Contact, please let her or him know that confirmation is required and to reply to Constant Contact's confirmation email.

You can also follow Robert's valuable insights and see further feedback on Facebook and Twitter

Featured Responses: Alternative to the instant Live Comments, Featured Responses are illustrated and edited for content. If you would like to submit your own for possible inclusion, please do so. Just click 'reply' on this letter or write to rgenn@saraphina.com

Yes, please go ahead and forward this letter to a friend. This does not mean that they will automatically be subscribed to the Twice-Weekly Letter. They have to do it voluntarily and can find out about it by going to The Painter's Keys website.
Subscribe Free!
Your name and email
address will be kept safe.
To Unsubscribe or Change Your Email Address, please click Safe Unsubscribe or Update Profile/Email Address links found at the bottom of this email.

(c) Copyright 2012 Robert Genn. If you wish to copy this material to other publications or mail lists, please ask for permission by writingrgenn@saraphina.com. Thanks for your friendship.