Friday 4 May 2012


Your primal joys

May 4, 2012

Greetings!

As usual, some of my recent tips baffled a few folks. "Listen to the music that has been within you from your youth," confused Peter Brown of Oakland, CA. "Is this about marching to my inner drummer," he asked, "or the suggestion that I dust off my old Beatles albums?"

Inner drummer, Peter, sorry, not Sgt. Pepper, but it could be. The idea is to tune into and bring to life our earliest interests and passions.

"External" and "Internal" are the two main types of creative motivation. External motivation can be market forces or societal, peer or educational demands. As an example of the latter, some art school friends were recently asked by their instructor to dig around and find subject matter that "upsets or angers you." The result was a classroom full of poverty, privation, humiliation, defeat, famine, war, fanaticism, religious prejudice, gay bashing, familial discord and various other social ills. I'm not saying these are unsuitable subjects for paintings, but they just didn't fit in with the current thoughts of most of these students. "Life is good and I'm happy to be alive," said one. "If I was angry I'd spray-can the boxcars. Right now I want to learn how to paint, not how to protest."
  
Internal motivation, on the other hand, often originates in the purity of our pre-teen youth and is rich with unsullied integrity. An artesian well of surprise and diversity, different folks report the early highs of camping, playing sports, watching wildlife, listening to music, fishing, collecting or even quietly drawing and painting. Evolved artists, in my experience, are able to use these primal joys as guides and triggers for creative direction and satisfaction. In my observation, the results are generally superior to the proscribed demands of others.
  
Internal motivation can be sparked by a few minutes of quiet Zen-like reflection on earlier times and places. Work begins when you answer the question, "What do I want to do today?"
  
The other alternative is to do what other people want. It's also been my observation that most of us rugged individualists would prefer a root canal to doing other people's will.
  
Best regards,

Robert

PS: "Life is your art. An open, aware heart is your camera. A oneness with your world is your film." (Ansel Adams)

Esoterica: B.G. (Before Girls) I had an extensive collection of semi-rotten and weathered roots and gnarls from our nearby forests and beaches. Leaning against the side of our home, my museum pieces were wired to several sheets of dad-provided plywood, until mom happened to notice the carpenter ants. Visualizing the ants' destructive march to our school, hospital and parliament buildings, multiplying like the brooms in Walt Disney's "Fantasia," overwhelming civilization as we knew it, my parents contrived with a local farmer, Albert Eales, to load my museum onto his flat-bed, take it somewhere and burn it. This covert operation hurt my folks as much as it did me, and they apologized forever after. Bugs and all, the objects and their bone-like forms still hang out lovingly in the deep folds of my B.G. soul.


Current Clickback: "Tips for you" offers tips for painterly happiness and success. Your comments will be appreciated.

Read this letter online and share your thoughts on internal and external motivation. Live comments are welcome. Direct, illustratable comments can be made at rgenn@saraphina.com

The Art Show Calendar: If you or your group has a show coming up, put an illustrated announcement on The Painter's Keys site. The longer it's up, the more people will see it. Your announcement will be shown until the last day of your show.

The Workshop Calendar: Here is a selection of workshops and seminars laid out in chronological order that will stimulate, teach, mentor, take you to foreign lands or just down the street. Many of these workshops are recommended by Robert and friends. Incidentally, if you are planning a workshop and have photos of happy people working, feel free to send them to us and we'll include a selection in the workshops feature at no extra charge.

The Painter's Post: Every day new material is going into this feature. Links to art info, ideas, inspiration and all kinds of creative fun can be found in this online arts aggregator.

If a friend is trying to subscribe to the Twice-Weekly Letter via Constant Contact, please let her or him know that confirmation is required and to reply to Constant Contact's confirmation email.

You can also follow Robert's valuable insights and see further feedback on Facebook and Twitter

Peter Brown is at p.w.brown@sbcglobal.net 

Featured Responses: Alternative to the instant Live Comments, Featured Responses are illustrated and edited for content. If you would like to submit your own for possible inclusion, please do so. Just click 'reply' on this letter or write to rgenn@saraphina.com

Yes, please go ahead and forward this letter to a friend. This does not mean that they will automatically be subscribed to the Twice-Weekly Letter. They have to do it voluntarily and can find out about it by going to The Painter's Keys website.
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(c) Copyright 2012 Robert Genn. If you wish to copy this material to other publications or mail lists, please ask for permission by writingrgenn@saraphina.com. Thanks for your friendship. 

Tuesday 1 May 2012


Tips for you

May 1, 2012

Greetings!

Whenever I offer tips to fellow artists I'm aware that a tip may be valuable to one person and a poison pill to another. Lately, on the speaking circuit, I've been giving a little talk I call, "Two dozen tips for painterly happiness and success." I start by suggesting that we all need to be our own tipsters and some of my so-called tips may not be for everyone. Nevertheless, I have a copy of my current batch printed out to hand around after the event. We've posted this tip-sheet at the top of the current clickback. If you go there, you're on your own.

Curiously, when following other tip-givers who also go from club to club, I often find the eager tip-takers have taken down some wonderfully contradictory tips. Typical is "Before starting, draw your composition carefully," and "Do not draw--go directly to composing with patches of colour and tone." Such are the hazards of tipstering.

That being said, here are three tips you may not have heard before:

1. Rather than go with your first choice in a composition, go with your second choice. Your first is likely to be in your comfort zone, but it is your second choice that will stretch your capabilities and expose new creativity. How to do this? Slowly rotate yourself in a full circle, taking every possibility into consideration. Sort out and at least anticipate the potentials of every angle before you start.

2. Pause frequently during the production of your work and reconsider your options. The simple business of strategizing and thinking ahead can save you a lot of downstream angst. If you find yourself too far into your end-game and not in good shape, courageously strike out an over-rendered passage. This audacious act often frees you up for further improvement.

3. Regularly refill your "Patience Bucket." While fresh, energetic, speedy brushing can be desirable, there is often a time to slow down and let things evolve with a more deliberate, tender and measured stroking. A work-in-progress can be your confederate friend. Let him gently speak to you and don't be socially embarrassed if you gently answer back. Your half-realized friend secretly wants to help you win big.

I should wind this up with one of my all time best tips: "You are your own best tipster."

Best regards,

Robert

PS: "Beware of geeks bearing formulas." (Warren Buffett)

Esoterica: In the "Zingers" section on page 947 of my book The Twice-Weekly Letters are two consecutive items. Ralph wrote, "I like it because you don't give pat little recipes like some other instructors." Then Phyllis wrote, "I really appreciate all the little tips from time to time." Then there's Henry's contribution on page 943: "Stick to tips, Robert, we are tired of your philosophizing all the time. There is no room for philosophy in this business." I love it when people give me tips.


Current Clickback: "The Parachute Principle"looks at how we refresh our 'seeing' eye. Also included is the tip-sheet. Your comments will be appreciated. appreciated.

Read this letter online and share your personal tips. Live comments are welcome. Direct, illustratable comments can be made at 

The Art Show Calendar: If you or your group has a show coming up, put an illustrated announcement on The Painter's Keys site. The longer it's up, the more people will see it. Your announcement will be shown until the last day of your show.

The Workshop Calendar: Here is a selection of workshops and seminars laid out in chronological order that will stimulate, teach, mentor, take you to foreign lands or just down the street. Many of these workshops are recommended by Robert and friends. Incidentally, if you are planning a workshop and have photos of happy people working, feel free to send them to us and we'll include a selection in the workshops feature at no extra charge.

The Painter's Post: Every day new material is going into this feature. Links to art info, ideas, inspiration and all kinds of creative fun can be found in this online arts aggregator.

If a friend is trying to subscribe to the Twice-Weekly Letter via Constant Contact, please let her or him know that confirmation is required and to reply to Constant Contact's confirmation email.

You can also follow Robert's valuable insights and see further feedback on Facebook and Twitter

Featured Responses: Alternative to the instant Live Comments, Featured Responses are illustrated and edited for content. If you would like to submit your own for possible inclusion, please do so. Just click 'reply' on this letter or write to rgenn@saraphina.com

Yes, please go ahead and forward this letter to a friend. This does not mean that they will automatically be subscribed to the Twice-Weekly Letter. They have to do it voluntarily and can find out about it by going to The Painter's Keys website.
Subscribe Free!
Your name and email
address will be kept safe.
To Unsubscribe or Change Your Email Address, please click Safe Unsubscribe or Update Profile/Email Address links found at the bottom of this email.

(c) Copyright 2012 Robert Genn. If you wish to copy this material to other publications or mail lists, please ask for permission by writingrgenn@saraphina.com. Thanks for your friendship.